UndercurrentsUndercurrents engages the critical rubric of queer to examine Hong Kongs screen and media culture during the transitional and immediate postcolonial period. Helen Hok Sze Leung draws on theoretical insights from a range of disciplines to reveal parallels between the crisis and uncertainty of the territorys postcolonial transition and the queer aspects of its cultural productions. Leung explores Hong Kong cultural productions cinema, fiction, popular